Matisyahu and I were on the Hot 97′s Cipha Sounds and Rosenberg Morning Show last Friday.  It was a blast, especially being up there with my childhood friend.  It was a historic moment for us and for White Plains as neither Matis or myself had ever been on Hot 97.  And they let us GO IN!!!!!!  I rapped “My Ferris Buellers” while Matis blessed me with a sick beatbox (see the pic below of Matis doing his thing), and we even had something special prepared just for the show.  Check out the clip…

IP AND MATIS GO IN LIVE ON HOT 97 (updated)

Oh, and I put together a video for “My Ferris Buellers” during my day off from work.  I got the idea to film the whole thing from my crib using my Mac Book built-in camera and I Movie, using an updated editin technique I implemented back in high school in my video art class, which is the last time I made a music video.  It worked!!!  Yo, less than an hour after I finished it and sent it out to some people, it was up on nahright.com, which is the bible of hip-hop blogs.  They finally posted something of mine after me sending stuff to them for six months.  And now it’s all over the internet.  Not bad for a video made with no budget.  Check it out, it’s fun…

Wow, this “My Ferris Buellers” record has gotten me some pretty good looks…Stay tuned…and check the new Matisyahu x Kenneth Cole ad….

Wow, this contest has gotten very competitive. The summer campers at the BGC are pumping out new designs like HOT CAKES. Here are the week #3 and #4 winners…

WEEK #3 SNEAKER WINNER

WEEK #3 IPOD WINNER

 

WEEK #4 SNEAKER WINNER

WEEK #4 IPOD WINNER

So the same girl won both contests in WEEK #3, and then a new girl came along and won both contests in WEEK #4.  The counselors have been getting into it too, check out the COUNSELOR SNEAKER OF THE WEEK from last week, it’s pretty sick…

The competition continues…

 

Step in the Name of Love

August 10, 2008

The Souljah Steppers are the BGC step team made up of 3rd-6th grade club members and coached in-house by one of our after-school staff and led by one of our volunteer teen club members.  2007-2008 was their first year, and I was proud to be a part of getting the team off the ground.  Check the video of their first full performance live from Mount Kisco…

More performances to come…

Glow in the Dark

August 10, 2008

The last time I was inside Madison Square Garden was when Matisyahu pulled me on stage to perform “WP”.  Before that it was for Jay-Z’s famous Fade to Black concert.  These performances are MAJOR HIGHLIGHTS from my life, but Kanye West’s GLOW IN THE DARK show Tuesday night topped them both.  It was THAT GOOD.

I met Kanye West on Halloween of 2003 back when I was recording at Sony Studios.  I was walking to the elevator on my way to a recording session with my headphones blasting the Kanye West produced John Legend song “Live it Up” on my DISCMAN, when he opened the door to one of the first floor rooms to let someone in.  He looked at me and said “What up” and I said “Yo, I’m listening to your shit right now.  That John Legend shit.”  He said, “Oh word, let me hear that.”  He took the headphones from me and started bopping along, and said “Yeah, this is my shit.”  Keep in mind this is before Kanye’s first album dropped and way before anyone knew who John Legend was, but I was already a big fan of both of them from hearing them on mixtapes.
Kanye invited me in to the studio (which was way bigger and nicer than the closet space I was using downstairs), and introduced me to all his boys.  He told me he wanted to hear me spit after I told him I was there for a recording session.  His whole crew was mad cool, watching the “Thru The Wire” video (see above) on their phones (this is right when video phones first started popping up), cracking jokes with me while Kanye played Connect Four.  I chilled for a few minutes, soaked it in, and then kept it moving to go downstairs for my session (I was focused).  I went to say peace to Kanye, and he said “Yo, I thought you were gonna spit something for me”, so I spit the first sixteen bars that came to my head (which ended up being the third verse of a song I never released, “Marinate On That“).  He gave me my props, I dapped him up, and went on my way.  That was that.  Crazy.  Check a vintage video of Kanye in the studio making a beat below…
Five years later, Kanye West is the biggest thing in music.  And his show is absolutely incredible, weaving all his hits into the story of him crashing his spaceship on an unkown planet and trying to get home.  Other than his talking spaceship, Jane, and a closing cameo on “Touch the Sky” by opening act Lupe Fiasco (see pic below), Kanye is solo dolo on stage the whole show with no token hip-hop hypeman helping him with his lyrics, and manages quite easily to keep the crowd completely captivated.  The stage design is bananas, along with all the lighting and special effects (hologram babes and some huge dinosaur that eats Yeezy).  For real, he LETS HIS SOUL BLEED ON THE STAGE.  So much energy, so much emotion, in every word.  And for a guy with three albums, boy does he have a lot of STADIUM STATUS BANGERS in his arsenal.  
Kanye in his element…
Chi-Town’s Finest.  I took these pics myself, don’t sleep on my photography skills (they’re ok i’m just talking shit)…Below is opening act N.E.R.D. wilin’ out on stage to “Spaz” with the help of guest spazzers Busta Rhymes and Diggy from Run’s House.  Dudes put on a good show, they had the crowd hyped.  And Pharrell might be the coolest guy on the planet, p-p-pause.  No Rihanna at our show, my girl was disappointed…
All in all, I was impressed by the whole performance, but more importantly, I was fully entertained and truly felt like I was a part of history.  Simply put, KANYE IS NICE.  He is the voice of my generation (he’s almost exactly my same age), and an inspirational artist that I have always looked up to.  HE REPRESENTS ME and the music I grew up on.  And to think I chilled with him right before he blew up worldwide.  I probably should have scratched my session that night and stayed with Kanye, rather than go downstairs to work with a record label that folded six months later.  Oh well, like Jay-Z said, “gotta learn to live with regrets”.
Speaking of Hov, Kanye pulled him out on stage Wednesday night to perform a new song (produced by Kanye himself) called “Jockin’ Jay-Z”, supposedly off the upcoming BLUEPRINT 3.  I knew he was gonna bring Jay out the night I wasn’t there, I had a feeling.  It’s all good though, peep the video, it’s official.  This is as classic a hip-hop moment as they come…
Want another classic Jay-Z hip-hop moment from this week?  Check this bonus video of Nas bringing Jigga out at Jones Beach this past Sunday during Rock The Bells to perform “Success” and “Black Republicans”…
Stay up to date with Kanye West on his personal blog, he’s very active on it, and he always has sick content, dealing alot with music, design, models, artists, technology, etc….Check the link below…
Kanye West BLOG

Cover Girls

August 5, 2008

A good cover song is hard to come by.  Some people take a classic song and make it sound like a pile of poop.  But every once in a while, an artist comes along and does one some serious justice.  Check out these COVER GIRLS as they flip the script on a few timeless tunes…

The most badass, jewish, UK born and raised, toothpick train wreck of a soul singer Amy Winehouse, takes Sam Cooke’s “Cupid” to a whole other level.  Is that a 007 she’s drinking?  Nice…

Amy Winehouse- Cupid

Just imagine this song playing at the end of a baseball game in the Bronx.  Ok, maybe we shouldn’t mess with tradition, but it’s still an ill cover of Frank Sinatra’s classic Yankee Stadium closer…

Cat Power- New York, New York

Alicia Keys is so talented and her stage show is banging.  Check out this live version of the Force M.D.’s “Tender Love”…

Alicia Keys- Tender Love

Oh, and here’s a bonus (sorry, i had to sneak this in), a cover of the Rolling Stones gem “Wild Horses”, with a little help from Adam Levine of Maroon 5, from Keys’ MTV Unplugged show.  Peep the video (and audio)…

Alicia Keys featuring Adam Levine- Wild Horses

This is from the first Mary J. Blige album WHAT’S THE 411?, the original version was sung by Chaka Khan.  How dope is Mary J. Blige?  And to think, this is from 1992, and eighteen years later she’s still killing it…

Mary J. Blige- Sweet Thing

This is one of my all time favorite R & B songs, originally done by the Isley Brothers…

Aaliyah- At Your Best (You Are Love)

R.I.P. Aaliyah

 

Stay tune for Westcheddar’s next installment of classic covers…

Good Look

August 1, 2008

Upon arriving at the BGC last September 2007 in Mount Kisco, NY, I was excited to meet the teen population I would be working with.  In my past efforts with middle school and high school kids, I was able to include hip-hop related programming quite easily, mainly because their was such a deep interest in the culture from them.  I never had to force it, they simply embraced it.

My first day on the job, I met Xavier Simmons aka Sosa (above left), and shortly thereafter I figured out that not only did he love rap music but in fact he was DMX’s oldest son.  He was 14 at the time, and HUNGRY FOR THE MIC.  He would constantly come into the center, quoting Juelz Santana, Jay-Z, and Lil Wayne verses, and I would see him writing raps on his I-Phone all the time.

Well it took me about two months to get my Mac lab completely popping with all the necessary equipment (six new 20 inch Macs, one Mac book, a mixing board, a midi keyboard, mics and speakers), but by November we had our own little in-house studio (see pics below), and Sosa and his younger boy Keran Stephans aka Young 1, started to “GO IN”.  They would come through and record almost every day after school in the evenings, and right off the bat I noticed that they were both very talented.  Sosa especially, a year older with a bit more studio experience under his belt, would one take all his verses, usually already memorized.  And Young 1, 13 years old at the time, had an ill swag with a crazy flow, and for an 8th grader he could sure write DOPE HOOKS.  They called themselves HOOD LEGACY, and began working on both group and solo tracks, taking advantage of the free studio time and bottomless supply of instrumentals I loaded onto the computer.

For me, it was a dream come true to work with such raw talent, helping them with their song structure and teaching them how to engineer and mix down their own sessions.  They were pumping out material and all their peers were starting to realize these guys were for real.  I began to put my buddies on to them, and it seemed as if everyone was in agreement.  HOOD LEGACY WAS NO JOKE.

In addition to spitting over their favorite industry beats, Young 1 started making his own tracks on Garage Band which were pretty official.  And with the success of Usher’s “Love in this Club” and Rihanna’s “Umbrella”, which both feature Garage Band loops in their instrumental tracks, it was clear to the kids that they could make hits without having to use high-tech production equipment.  Sosa also had his own connects for beats through DMX, and I had my producer friends hook up some beat CDs for them to pick tracks from.  And these two would EAT BEATS.

By January, HOOD LEGACY had a bunch of fly songs under their belt, so I set them up to perform at the BGC in the gym for an event we called “ROCK N JOCK”.  We kept the gym open on a Friday night, set up the DJ equipment normally used for special events and teen parties, and let HOOD LEGACY close out the night with their set (see pic above).  They picked their 5 favorite songs, and their stage show was a success.  Sosa, the more gritty of the two, and Young 1, his laidback counterpart, complemented each other perfectly on stage.  Everyone was impressed, especially me.  ”ROCK N JOCK” quickly became a monthly event, and the perfect place for HOOD LEGACY to showcase their new material.

Now, because of the legendary status of his father, Sosa is starting to get some well-deserved good looks (see his above article in XXL), working with DMX producer and industry giant Dame Grease, putting together a solo project.  Still, the two find time to come through the BGC to work on material.  It’s a scary to think that these kids haven’t even turned 16 yet.  Watch out for HOOD LEGACY in the years to come.  Check out some of their songs…

GET IT IN“- produced by Young 1, this is the HOOD LEGACY anthem.

GOOD LOOK“- I love how they ride this Alchemist beat.

WE AINT DROPPIN“- They come hard body on this joint.  Like Sosa says, “This is hell, welcome to my domain…”

SUPERFRESH” featuring Stan Ipcus- We did this for the Dirty Jax mixtape, it came out dope.

Hood Legacy myspace

Check a couple solo joints from Young 1…

NICE YOUNG THING“- Produced by my dude Bless from Backburner Productions.

PARTY WITH YOUNG 1“- Keran found this beat on myspace and rocked it.

Young 1 myspace

And here’s two from Sosa…

LEAVE YOU WHERE YOU STAY“- He calls himself “a walking pandemic”.  Honestly, this is grown man rap.

DEY KNOW FREESTYLE“- The lab was packed with kids after school, and he one-taked this.  Everyone was blown away.

Sosa myspace

 

Stay tuned….

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