Prime Time: Remembering The First-Ever White Plains High School Public Access TV Show Created By Students

Comedy, Interviews, My Dudes, Television, The Good Old Days, Videos, Youth

Prime Time with Dan & Andrew first aired on public access television in White Plains back in the early part of 1994. Co-starring friends and classmates Daniel Isenberg and Andrew Goldberg, the show was created, written, filmed, edited, and produced by students, with Dan and Andrew at the helm. And it was the first student-run public access television show of its kind in the history of White Plains High School.

The show itself was made up of talk show-style banter and bits, accompanied by comedy and musical skits. Clearly, popular shows of the time like Saturday Night Live and The State were influences, but Dan and Andrew brought their own unique perspective as suburban New York high school students to the small screen. 

They created characters, poked fun at popular commercials, and tackled pertinent social issues like STDs and stalking with smart but silly humor, never shying away from what they considered to be funny. And they included their fellow classmates—the “Prime Time Players”—in the entire process, both on and off camera.

30 years later, Dan and Andrew are now family men, both living professional lives as writers. After spending roughly a decade writing for Family Guy, Andrew co-created the critically-acclaimed, coming-of-age animated Netflix series Big Mouth and the spinoff Human Resources. And Dan has spent the last decade as a writer and creative director in the sports and entertainment marketing world, and his new book Do Remember! The Golden Era of NYC Hip-Hop Mixtapes was released last fall via Rizzoli (he’s underground rapper Stan Ipcus, too).

To celebrate the Prime Time 30th anniversary properly, Westcheddar felt it was finally time to get Dan and Andrew to tell the story behind the making of the show. Check out the exclusive interview below.

Do you guys remember how you first met? 

Andrew: I came to White Plains High School new in ninth grade, so we definitely met sometime that year, but for the life of me I don’t remember how. Maybe I’ve always known Dan?

Dan: Yeah, I can’t pinpoint the exact moment we met. I kind of remember you and some of the other Solomon Schecter kids being in the North House lunchroom together, and us trying to figure out who you guys were since you were new to our grade. 

But I for sure remember getting a ride home from Mike Friedland’s brother Ben one day and we were both sitting in the backseat and you were saying some funny shit, cracking everyone up. I’m pretty sure that car ride was the start of me being like, “Yo, this kid Andrew is hilarious.”

How did the initial idea for you two to have a public access TV show come about?

Andrew: Well, it was the heyday of Wayne’s World, so public access TV shows were all the rage. But when we went to try to sign up for a public access show, it turned out we needed adult supervision and had to pay. Someone, I think it was Dan’s father, suggested checking out the TV studio in the basement at the high school. There was all this equipment just sitting there, and nobody was using it except for a couple of TV production classes. 

Dan: I had just gotten cut from the JV basketball team, and for the first time in my life, I had nothing to do all winter. We were really into SNL and Adam Sandler and Chris Farley and late night guys like Letterman at the time, too. The show is really a hybrid of those two things—talk show and skit show. 

The TV studio at school was a gem, and this woman Mrs. Strauss who ran it took an instant liking to us. I think with her support we were able to get things rolling.

Your Vice Principal Mr. Woodard was the person who ultimately greenlit the show. Do you remember anything about your pitch to him?

Andrew: I didn’t even remember that we had to meet with Mr. Woodard. But I imagine we must have lied to him. Because if we told him we wanted to make a show where we make fun of STDs and tape our friend repeatedly punching himself in the face on school property, he probably wouldn’t have let us use the equipment. 

Dan: I have no memory of meeting with Woodard either, but I know it happened. Who knows why he gave us the green light. I doubt we had anything prepared.

You filmed the first show during lunch, and had a bunch of friends on as guests. Any favorite moments? 

Andrew: I think my favorite part of that show is when Mike Friedland walks out, and you go, “Nice blazer.” God bless him for getting dressed up, though.

Dan: There’s no way he was gonna come out with a blazer on and not get a comment. That’s all we did back then, figure out ways to sarcastically make fun of each other. But Friedland pulling the card out of his mouth was definitely an impressive trick. He used to do card tricks for us all the time in class, but I had never seen that one before.

I remember dying laughing when you guys used that trick on the first episode of Big Mouth, when Jay is like, “Is this your card?” I was like, “Oh shit, a Prime Time Easter egg!” I believe he pulled a card out of his fly once, too. That actually would’ve been a good one to recreate for Big Mouth also.

Another classmate you had as a guest on an early episode was Dave Epstein, who was the one you mentioned before that famously punched himself in the face on the show.

Andrew: Dave’s enthusiasm was absolutely through the roof. It was like, “This kid is a maniac. If we can’t figure out something entertaining for him to do then we shouldn’t have our own educational access TV show.” 

Dan: Epstein is a legend. Who else would go on public access television and punch themselves in the face or break a sheet of ice over their head? I didn’t know him that well when he first approached us about being on the show because he was a year younger than us. But after that first appearance, we hung out all the time. He was a regular. 

Andrew: I think beating himself up was his idea. Truthfully, I think we could’ve gotten him to do anything. We didn’t take advantage of that enough. We should’ve had him jump off the roof of the school in a barrel or smoke his own pubes or something. We really blew it.

Meghan O’Rourke was a friend of yours, but also an active part of the theater program at school, so you recruited her to be on the show. And she really shined, huh? 

Dan: Meghan was the only one of us with any legitimate acting experience. She was a star. The rest of us were mediocre actors, at best. 

Andrew: God, Meghan was so funny. I especially enjoyed her performance as “E-Claire” the villainess in “The Adventures of Muffin Man and his Sidekick Danish Boy” because she truly did not understand what Dave Epstein and I were doing, but she hung in there like a pro.

You interviewed the principal of White Plains High School on the show, Dr. Tate. How’d you pull that off?

Dan: No clue. It was pretty ballsy of us to even request having him on. 

Andrew: I like to think of it like when Wayne and Garth had Noah Vanderhoff on their show. “This man blows goats. I have proof.”

Dan: Classic! But honestly, I think to our credit, we actually played that one fairly straight and respectfully. No way we would’ve pulled off making fun of the principal, especially considering some of the other stuff we got in trouble for.

That’s right, you got in some hot water with the Board of Ed in White Plains for the STD game show, and then also one where Andrew played an old man wearing a diaper? 

Andrew: Yeah, on the STD one I was actually kind of surprised. All our information was medically accurate, and the overall message was that STDs are not something you want. 

Dan: “Name That STD” is a Top 3 Prime Time skit for me. That was great public access TV content created by a bunch of 10th grade health class students. Perfectly educational, but also stupid and fun. It was a little edgy I guess, but I really didn’t think it warranted any complaints. Meghan and our buddy Matty B killed that. 

Andrew: The grandpa pissing his pants one was probably fair. It hadn’t occurred to me that someone might be watching that with an elderly person struggling with incontinence. I was young and thought I’d pee perfectly forever.

Dan: I think we honestly just didn’t realize we would be offending anyone and thought it was harmless potty humor. It was definitely an oversight on our part. 

Do you have memories of watching the show at home? Did your parents like it?

Andrew: Oh, it was totally exciting and weird to see yourself on television. And I think my parents loved it. They even encouraged me to send out tapes with clips when I was applying to colleges. I’m not sure it helped.

Dan: My folks were pretty pumped about it, too. My dad told everyone. And my mom, who is a piano teacher, has a famous story she tells about the father of one of her students making the choice to move his family to White Plains after seeing our show because he thought it was so great. I still can’t believe that’s actually true, but the lore is strong.

I think personally I was a little self-conscious about it all, but I also thought it was crazy that we had our own TV show with all our friends, and that people were actually watching. It was dope.

How’d it go over at school? 

Andrew: Oh my God, I got so many girls because I was on TV. I was absolutely drowning in women. No, wait, I’m thinking of Ashton Kutcher. Nobody cared.

Dan: My favorite teacher, Mr. Benevento, who sadly passed away a few years back, used to watch. And he would play me so hard in class. I think during the first episode, I kept saying everything was “unbelievable” over and over, and he called me out on that in class constantly. 

What was the creative process like for you two? 

Andrew: We’d kind of hang out and throw out ideas. Then we’d like something and just start writing on a yellow legal pad. A very low tech and pure version of what I’ve been doing for work every day for years!

Dan: It’s pretty amazing that you were able to turn this all into a career, actually. Yeah, I remember going back to your house after school, playing NHL ’94 or whatever game was hot at the time, and just thinking of ideas for skits. 

And we filmed a few things at your house, too, like “Kiki Rachmanah: Private Eye” which was one of my favorite characters of yours. I’m impressed that we had enough motivation and organization to actually make all this stuff.

What about filming and editing? 

Dan: We mostly filmed after school, and sometimes during lunch. Our friends would come hang out and watch or be a part of the show, and we would all take turns working the cameras, too. And then Andrew and I would edit everything, with the help of Mrs. Strauss at first.

Andrew: This was back in the day of deck-to-deck editing—I know, I sound like a cranky old guy—so if you wanted to change something, you had to go back and change everything after that point. It was super labor intensive and taught you to be more careful than kids nowadays with their fancy editing software. 

Dan: We took a Video Production class together at one point, too, which I think helped us learn how to edit. The fanciest was when we did a remake of “Summer Lovin’” from Grease. We had the split screen effect, and had to figure out how to make the music match up with the lip syncing which was fairly challenging. “Summer Lovin’” was one of my favorites.

What were some other faves of yours? 

Andrew: “Name that STD” was great. I liked when our friends Jon and Scott took over the show, mostly because Scott was so profoundly uncomfortable in front of the camera. I liked the parents of mass murderers sketch, with Jeffrey Dahmer’s dad telling him to “stop eating crayons!” And “Stanley the Stalker” was great because it showed the lighter side of stalking.

Dan: Our skit about replacement players during the MLB lockout was always a favorite of mine. I played a blind dude who shows up for tryouts with crutches and a broken arm. My uncle Steve, who is a huge baseball fan, loved that one. And he’s like the funniest guy in the Isenberg family, so getting a laugh and stamp of approval from him meant a lot to me. 

What about the music? Beyond “Summer Lovin’,” you guys had a few different musical numbers during the show’s run.

Dan: My all time favorite musical moment was when me and Jon and Matty B rapped Beastie Boys “Sure Shot” live in the studio over a very random Shyheim remix instrumental. I also loved that we had a Cypress Hill beat as our original intro music. I think we switched it up to an instrumental cut off Ill Communication when we made the intro longer and had the whole cast in it, which was also fire. 

Andrew: I loved that we actually had a band in there one time. That’s pretty impressive for a bunch of idiot sixteen year olds. 

Dan: Oh yeah, that was dope. Big up to the Surf Dudes, and Liz Farrell on the vocals. Oh, and there was an outro we snuck in one episode during the credits with Jon lip syncing Phife Dawg’s verse from “Keep It Rollin’”—that was ill, too.

Remember when you guys hosted a holiday episode on Santa’s lap at the mall?

Dan: That was wacky. We filmed that at The Galleria. RIP.

Andrew: As a Jewish person, that might be the only time I’ve ever sat on Santa’s lap. I don’t know what you gentiles are so worked up about, it wasn’t that great.

Dan: Props to Santa for being a good sport. I think the idea was probably funnier than the execution. We went for it, though.

Looking back on it all, how does it feel to know that you were the first students in the history of White Plains High School to have your own TV show?

Andrew: We are the Rosa Parks of misusing school-owned audio-video equipment.

Dan: I take pride in knowing we were the first. I’m not even sure there was ever a second, to be honest. I kind of wish there were some students that followed in our footsteps, but it just goes to show how much time, effort, and buy-in from the administration it took to make it happen. If it was that easy, I think others would have followed. 

But TV has changed a lot since then. I imagine WPHS students are on YouTube or TikTok doing some funny stuff now. 

Looking back 30 years later and thinking about where you both ended up career-wise, how do you think “Prime Time” played a role in your success? 

Andrew: I think it helped me a lot. It was my first experiment in writing for TV, and I actually got to produce, direct, and edit it. That was an unusual experience at that time before more modern technology.

Dan: It’s crazy to me that you ended up where you did, having your own shows on Netflix. I’m in the creative world too, but not in the same capacity. Still, making commercials and content in the marketing and advertising world, that can all be traced back to this. Also, the “Sure Shot” moment definitely sparked something in me, and made me want to pursue making and performing my own rap music. 

And you’ve managed to stay friends through the years, even while living on separate coasts? 

Andrew: Though I’ve moved across the country, Dan and I still keep in touch, and I love watching his family grow. The times we’ve gotten to watch our kids play together have been really special. That crew from White Plains will always be my brothers and sisters, they’re special people. Sometimes I get jealous that they get to see each other all the time and their families are growing up together, but then I realize those idiots have to deal with winter.

Dan: We always get together when Andrew comes back east. And we’ve had a couple fun visits in Cali too, though I haven’t been out there in a while. The truth is, at this age with kids and so much going on, I don’t even see the friends of ours that live in the New York area that much anyway, so maybe the cold is all he’s really missing in the end. 

I’m really proud of Andrew. To see what him and Nick have done with Big Mouth and everything else is truly incredible. They’re living the Hollywood dream!

What about when you look back and see clips of the show now. How does it make you feel? 

Andrew: I was awkward! Clearly I wasn’t meant for a career in front of the camera, and I ended up in the right place. So glad to have my place in show business validated! Also, I was about the hairiest sixteen year old in history.

Dan: As my kids would say, it’s so “cringe.” But it brings back great memories. We were just young kids trying to do something new and creative, and make each other laugh. And it was us and all our best friends doing it together, too. It’s a great portal back to those good old high school days when life was much simpler.

Watch more Prime Time with Dan & Andrew clips HERE.

Wardell Returns

Comedy

My favorite stand-up comedian Brandon Wardell is back with new material, courtesy of Comedy Central. This dude cracks me up.

Paul Rudd PSA

Comedy, News, Videos

No cap.

Big Body Bes x No Jumper

Comedy, Interviews, Music, Videos

I haven’t watched this yet but it’s two hours long so I imagine it’s nothing short of legendary.

The Green Room with Lil Dicky (2015)

Advertising, Comedy, Interviews, Music, Published Material, Videos

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This article was originally published on NahRight.com in 2015, just prior to the second leg of Lil Dicky’s Professional Rapper tour, and also as he was first starting to write his hit FX comedy series Dave.

Written by Daniel Isenberg

Lil Dicky ain’t your stereotypical Jewish rapper. Okay yes, he has a silly name. And yes, he’s a lanky guy from the suburbs with a beard. And yes, he makes funny songs. He checks all those boxes. But there’s one very important thing that separates him from the pack—he’s not wack. Watch his video for “Lemme Freak” once and you’ll instantly understand. Dude is legitimately nasty with the bars, an insane storyteller, a natural comedian, and a born performer. Stop fronting and give LD his props.

With the spring leg of his Professional Rapper tour starting this week, we got on the horn with Lil Dicky for our latest edition of The Green Room to get a detailed look at what life is like on the road for the blossoming rap star. Turns out things aren’t as glamorous as you might expect, though it sounds like that might change this go-around. Read below to find out all about Lil Dicky’s live show steez, in front of and behind the curtain.

First Live Performance

Lil Dicky: “In my case, it’s bizarre, because I wasn’t a rapper to the world until two years ago. I never really did anything until my first mixtape. So I put it out as a guy in his room making these songs on his computer by himself, and it blew up. And I was faced with the situation that I had to start doing concerts.

“Literally, my first concert was in my hometown of Philadelphia. I sold out the TLA which is like 1,000 people, and I honestly had never even rapped in front of more than like three friends. Ever. I would actually label that day as one of the worst days of my life. Obviously, it’s not a tragic day—it’s a good worst day to have. But in terms of my overall stress level leading up to the show, that day was pretty unbearable.

“After that first show, it felt like I was born to do it. It came very naturally to me. However, my biggest memory is for my first song, I walked out there, and I had so much energy that I went way too hard in the first minute and a half. And I got extremely tired. From that point on, the whole concert was an uphill battle to survive. I was rapping my verses like, ‘Just make it to the hook. Just survive this verse.’ And I did that for twelve straight songs. The stage was huge, and I didn’t know how to pace myself.

“But it was great. It was my hometown. Some 76ers came. Like, this is my first public foray into rap. I knew people were paying attention in my mind, but that fact that Nerlens Noel decided to come to my rap concert just felt like an alternate universe.”

Rehearsing

“In between songs is really stand-up comedy-based. There are planned jokes. So what we mainly rehearse is the transitions. The songs just don’t end and then another one starts. Everything is driven by language. The rehearsal is less about me rehearsing my raps. Although, I want to do some more choreographed dancing. I haven’t done that yet. But it’s basically just making sure we’re all on the same page from a cue perspective.

“We put in like two rehearsal days before the tour. And then, you’re doing it every night which is like a rehearsal too, and then soundcheck every day too, so it just gets better and tighter as it goes on.”

Packing

“I’ve been working on my album, and that’s kind of been my sole focus, so I don’t even know what what my go-to on-stage outfit or what my look is for this tour. Since the tour starts tomorrow and I don’t know it, I’m gonna have to go with what I own.

“I’m less into basketball jerseys than I was before. And I can’t be in any sort of jeans or skinny pant up there. It needs to have air. Like, sweatpants or sweat-shorts are ideal, and those take up a lot of space. So I pack a few pairs of sweats, a bunch of hoodies because the hoodie is a great look on and off the court as a rapper. I pack a few choice button-downs that I would never wear on stage but that I would go to a bar afterwards in. And usually one or two pairs of shoes—I’m not a big sneakerhead.

“My big thing is that I have all of my bathing products sorted out. I bring a loofa, towels. I’m pretty anal about showering so I bring all my facewash. I make sure I have all that stuff at all times. I shower twice a day, and honestly, a lot of stuff that happens on tour is predicated around my showering.”

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Travel Activities

“Last tour, we got an RV and went four weeks straight without going home. This tour, I have shows Thursday, Friday, and Saturday night, then I fly back to L.A. and I’m here Monday, Tuesday, Wednesday. We’re doing that so I can finish my album.

“I like to rent movies on my iTunes, but then my battery dies. But honestly, there aren’t a lot of movies that I need to see that I haven’t seen. I’m at that place where it’s great when I find out there’s a great movie out that I haven’t seen.

“Usually I’m listening to rap music. At this point in my life, I only listen to rap. The new Drake, the new Big Sean, those are like what I flip and flop back and forth on currently. And Forest Hills Drive, the new J. Cole. I’m in need of a new one. I’m over those to some extent. I’m looking forward to Kendrick’s album, that’s coming out at the right time for me.

“In the RV, there was like a full bedroom, so I was able to have a bed. There’s a lot of weed being smoked. I actually try not to do it during the day, because it will just make me burned out and tired if I have a concert. But everyone else is smoking weed.

“I’m actually working on a TV show right now, which is based off of my life. It’s like Curb Your Enthusiasm, but instead of being in Larry David’s world, it’s in my world, and I’m a 26-year-old rapper. So I take heavy notes on what’s happening at all times on tour, and then try to put them together. I don’t really write the show on the road. I get all my notes done and organize my thoughts and think about things.

“I don’t think I could be in a moving vehicle and write rap music. I can barely even be in a studio. I need to be at my desk and locked in. I pretty much spent every day writing raps for the past year-and-a-half, and I started doing this whole thing to be a comedian, to be honest. I didn’t know I was going to become as good of a rapper as I became. So when I’m actually on tour, it’s my only time that I can’t focus on writing raps. So I take advantage of that time to focus on writing TV.

“That’s where my head’s at on tour, because when I’m on tour, that’s probably the most entertaining backdrop of my life. So I can imagine a lot of Episode 5 coming from that. Like, I have grown men coming up to me like, ‘Yo, can you sign my dick?’ Stuff like that is happening.

“I just say, ‘No. I appreciate your enthusiasm, but I can’t be the guy signing everybody’s dicks. I can’t be that rapper yet.’”

Backstage

“I have friends who whenever I do a show are like, ‘Hey, can I come backstage?’ And I always warn them and say, ‘Sure, but it’s probably way more underwhelming than you’d expect.’ I haven’t been backstage at another rapper’s show, but I imagine it’s far more entertaining. Mine is really just four guys kind of sitting quietly. Half the time people are napping. I don’t really nap, I just kind of sit there.

“I used to never do anything in terms of drinking or smoking before went on stage. I used to just go on sober. Only recently have I started smoking weed before shows. I don’t do it every time, and I can’t go overboard. There’s been times where I’ve gone on stage high and it was too much stimulation to handle. I remember being on the first song, like, ‘Dude, please don’t collapse.’

“There’s usually dinner. A few menus being thrown at us, and then a conversation as to which type of food we should have that night. That’s what goes on, those type of discussions. It’s not like, ‘Oh man, Meek Mill just came through.’

“I’m open to change, though. I’m not absolutely sold on the current construct. And I think because it was it was my first tour last time, I took it seriously as a job. I was as responsible as responsible can be. But I think I’ll get more laidback in terms of letting myself have fun. My New Year’s resolution is genuinely to have more fun. There’s a lot more fun to be had. I don’t have any stories from my first tour to tell my grandkids that would blow them away. Even if it’s for my TV show, I just need to get out of my comfort zone a little more and see what happens.”

On Stage

“I’m still educating people. There’s still a PowerPoint presentation in the show, which I always think is really funny. There’s hundreds of drunk people who came to hear rap music, and all of a sudden I take them through a 12-minute slideshow. I show them a deck. I say, ‘Before I get into this, I just want to make sure everyone is on the same page. I don’t know if you know this about me, but I have a little bit of a business background.’ And I get everyone’s minds in the same place for the show.

“I’m not sure if I’m gonna stick with it, but I have added the ‘Star Spangled Banner’ to my set list. An acapella where I get real Whitney Houston. I make everyone take their hats off. [Laughs.] I tend to go into the crowd and rap. I go down there, I gotta get with the people. So new things keep presenting themselves, then I keep assessing.

“I don’t know if I’m there yet, but the more money I get—I don’t really care about money—the more I’m going to invest in my show. In three years it will be a Kanye times Book of Mormon experience, hopefully. Imagine me on top of a huge mountain called ‘The Rap Game,’ and there’s chocolate milk pouring down the mountain out of what appears to be my butt, with strippers drinking the milk. It can go a bunch of different directions.”

Dry-Humping Girls During “Lemme Freak”

My favorite person I’ve ever seen live was Usher. And this is a trick I saw Usher do back in the day, when these R&B guys bring girls on stage and do a lot of dry humping. So I always wanted to have an excuse to do that. ‘Lemme Freak’ was the first time I ever wrote a song where I’m asking girls to have sex with them. I’ve never done the song live without doing that.

It’s never really gone bad, but there was one time that the crowd was so male dominant and the girls there weren’t really volunteering, and it took too long to get a girl on stage. It was weird, like I was forcing the issue. But it was funny how it took like 25 seconds to make that happen. Normally, girls scream and they want to do it.

In theory, I don’t ask her permission to do this before, so it’s a longshot, but you could see someone—if they really hated me—suing for sexual harassment. So I make it a point to whisper in their ear as it’s happening, ‘Are you okay?’ That’s my favorite part of the show, when I ask the girl if she’s okay. She’s like, ‘Yeah, this is cool.’ And I’m like, ‘Cool.’ [Laughs.]

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Fan Interaction

“After a show, I’ll go by where I sell merch, and I’ll literally meet anyone who wants to meet me. So if the entire audience wanted to meet me, they would meet me. It takes like an hour and a half. People line up and it’s really fun.

“This is all so new, and I do so much of it by myself. Even now with my level of fame, I don’t really go out much or take advantage of it. My lifestyle isn’t any different than before I started. But when I’m here with all these people that are fans of my music, it’s like they see me as if I saw Denzel Washington, which is interesting to me. It’s so fun for me to meet people. I sign autographs, take pictures, and that whole thing.

“I want people to meet me and like me. A lot of me is reflected in the music, but I’m definitely Dave. 99% of the time, I’m not Lil Dicky. I want people to like Dave.”

Dream Female Tour Encounter

“After the show, I’m signing my autographs or whatever. Obviously, a beautiful girl walks up. And she’s not like the rest of them. [Laughs.] For whatever reason, I’m seeing a brunette. She says something like, ‘I had never heard about you until tonight when my friend…’ Basically, she’s not a huge Lil Dicky fan. She got brought there by a friend, and she just found out about it. So she’ll say, ‘I just found about about you. My friend brought me here. But I just want you to know I’m a believer, and I want you to know that I really appreciate what you’re doing and I think it’s awesome.’

“Then I’ll say, ‘Oh, thank you. What’s your name?’ And she’ll say like, ‘Kirsten,’ or something. I don’t know. And I’ll say, ‘Kirsten, do you live out here? Well, you’ve gotta tell me where I should be going next.’ And I’ll be able to know from that interaction if she’s interested in hanging out. Ideally, there’s a shower at the venue, and I say, ‘Kirsten, I think we should hang out after the show. Let me just shower real quick. Are you down to hang out for like fifteen minutes?’

“Then we end up going to some bar where me and Kirsten are really in our own world. It’s not that loud, and we’re just simply talking. She’s probably like 25, and she’s really confident. And I think it’s a situation where it’s the end of the night and everyone’s leaving, and I’m like, ‘Listen, I can’t leave now.’ I’m just kind of locked in.

“Ideally, we’d have sex. But that’s not what this is about. I think we could end up just talking. To me, when I watch movies and stuff, there are times when you meet a girl and you’re just blown away. I feel like that happens all the time in movies, but it never happens in real life. I’m waiting for that to happen. So I think this is an example of where it’s like, ‘Holy shit. This girl seems like she’s legitimately perfect for me.’

“I’d probably end up spending the night with her, and then try to get her to come with. She never will, because she’s got her own job and her own life. She’s got such an impressive life that she would never entertain the idea of doing that. But we’d stay in touch, and keep texting, and maybe it even turns into like Skyping every now and again. Then I’d see her when I’m back in town, and the connection is just as real. Maybe she moves to L.A., I don’t know.

“It’s not a drunk night where I’m grinding with a girl having the best sex I’ve ever had. It’s like a sober night, where it’s heavily conversation-based. And the first kiss is just as exciting as sex.”

Eating on the Road

“I’m pretty into fast food. I’ve got a bunch of fast food favorites. I’d say the Taco Bell/KFC combo is my favorite thing, because under one roof you’ve got great options. Chipotle is a great thing for me. I love Wendy’s—the Spicy Chicken sandwich has been a big factor in my life. Then, there are occasions where I’ll insist on going to Morton’s Steakhouse one night. It’s fast food, then every now and then there’s an unnecessarily nice dinner.”

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Favorite Tour Stops

“My favorite show I’ve ever done was Madison, Wisconsin. All my shows before Madison seemed to be in major cities. Those are cool, but they’re not like a college town. The first time I went to Madison was the first time I was faced with a college crowd. And they just want it more. College kids go out every night with the sole purpose of having the best night of their lives. It’s really great. Everyone just buys in. So I’m really looking forward to going back to Madison.

“It’s my birthday on Saturday, and I’ll be in Utah. I’ve never been to Utah, so I’ll be spending my birthday in Salt Lake City. Maybe that will be cool. Actually, I’m looking forward to going to Indiana. I feel like that will be a very similar vibe to Madison. Chicago I’m looking forward to. I had never been to Chicago before, and after being there once, I think it’s a top 3 city in America. Minneapolis sold out like a month ago, so I think I have a really strong fan base in Minneapolis. Plus I’ve never been there. Going to places I’ve never been is great. It’s like, everyone’s seeing a PowerPoint presentation at a rap show for the first time, and I love that.”

Upcoming Tour Goals

“My goal is to have fun. The more I have fun, the more fun the shows will be. Beyond that, it’s just growing the fan base and connecting with the people I’ve never met. I think once people meet me, it will be even easier to be a lifelong fan. Then once the album comes out, I have different goals. But this tour is pre-album, so it’s getting people to keep spreading the word.”

The Professional Rapper Album

“I’m making it thinking that I’m going to get a lot of first time listeners. I know my fans are going to be into it, but I’m thinking about it from the perspective of people who haven’t heard anything. I think it’s great. I think it’s one song away from being truly tremendous. I think it’s still tremendous even if I don’t get that last song. But I’m always fighting for that last song, that cherry on top.

“I’m not gonna give anything away, but there are definitely some really cool features. And it shows off my diversity. My style is in the way I say things and my lyrics, but I don’t have a go-to sound. I don’t want to be limited to one sound. Also, before my music sounded like a comedian who could rap. But now, half my songs aren’t even funny. It sounds more like a rapper who’s funny half the time.”

*Bonus*

After our NahRight interview, I became friendly with Lil Dicky’s manager Mike Hertz. And we ended up working together to bring LD to Trojan Condoms—a brand/client I was writing for during my early advertising days—for what would become a long-term relationship.

Here’s the first video we made with Lil Dicky and Trojan Condoms, titled “The Big Talk with Lil Dicky.” I love this so much, and I’m still so grateful I had the chance to work with LD and his team—they really are some of the most creative and talented people on the planet. 

Special thanks to Mike Hertz for all of the above! And big congrats to LD for all the success! You deserve every bit of it!

No Guidance (Video)

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